Emerging from Italy's contemporary cinema scene, Andrea Segre has built a diverse body of work since the early 2000s, directing both narrative features and documentary projects. His early documentary debut, Dio era un musicista (2004), was followed by a series of socially engaged films such as Checosamanca (2006) and Come un uomo sulla terra (2008), while his first fiction feature, La mal'ombra (2…
