
Romano Albani
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Emerging from Italy’s post-war generation, Albani entered the visual field through work on commercials before moving into feature-film cinematography. His early collaborations include Marco Ferreri’s La Dernière femme (1976) and two Dario Argento productions, Inferno (1980) and Phenomena (1985), which established his reputation for atmospheric lighting and dynamic camera work. Throughout the mid-1…
Biography written by WatchMoods, based on public sources