Marcelo Lavintman

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Emerging from Argentina, Lavintman honed his skills behind the camera and built a reputation as a versatile cinematographer. Early projects such as the 1993 drama “El Último sueño” and the 1996 experimental piece “Pavana para un hombre descalzo” introduced his visual style, which later matured in the cult-favorite “Pizza, Beer, and Cigarettes” (1998) and the introspective “Just for Today” (2001).…