Having moved from Cape Town to London as a child, she studied at the Actors’ Workshop and embraced the Stanislavski System, which led to her first major screen role opposite John Cassavetes in Husbands (1970). The early-career momentum carried her through a string of notable films such as Pier Paolo Pasolini’s The Canterbury Tales (1972), Antonioni’s The Passenger (1975), and Derek Jarman’s cult c…
