Günther Krampf

Emerging from an Austrian background, Krampf entered cinematography in 1920 and quickly became a key visual craftsman of the Weimar era, collaborating with directors such as F. W. Murnau, Robert Wiene, G. W. Pabst and Richard Oswald. His work on the expressionist pieces The Student of Prague (1926) and The Ghoul (1933) stands out, though he generally favored a naturalistic approach. In 1931 he rel… Read more

Biography written by WatchMoods, based on public sources