Aiace Parolin
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Having left his native Cagliari for Rome as a teenager, he pursued mechanical drawing at the Technical Institute before entering the film world as a camera-maintenance engineer for Cines in 1935. His first on-set experience came in 1947 as a second-assistant cameraman on Giuseppe De Santis’s drama Tragic Hunt, and by 1953 he was working as a cameraman under Leonida Barboni. Parolin earned his debu…
Biography written by WatchMoods, based on public sources